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Professional Demo Review - February 22, 2010

- “There are spots where I can hear the auto-tune correcting certain notes and that does detract from the song as the auto-tune was not being used for creative purposes. “

- “Her classical/pop singing style sets her apart from the rest, but she needs to find a better way to make that work for her.”

- “I would look into signing an artist like this.”

picture The latest POP selection for the Professional Demo Review takes some left-field diversions this time around. On hand to assess whether cuts by Tasha Marilia, Labyrinthe and Sister Ray manage to successfully navigate the treacherous fine line between alternative and chart promise are producer Eddie Galan, A&R and manager Antony Meola, and the ‘Clive Davis of Holland’, John van Katwijk.

In reaching their conclusions the reviewers consider factors such as vocals, production, composition and visual presentation, while also providing tips on improving the tracks, and evaluating their overall potential to get a record deal and achieve chart success.

So will Tasha Marilia’s dewy tones, Labyrinthe’s dazzling vocal eccentricities or Sister Ray’s back alley carnival call find favour or foul with our expert judges?


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Read On ...

* The song is king is Demo Review’s songwriting special
* Our Professional Demo Review judges slip into some R&B grooves
* Field specialists study the latest rock formations